I’m really excited about today’s post because I’m sharing a recent project that I worked on for a local client that I consulted on all of the paint colors for the interior/exterior. I wanted to share this particular project with you guys because I think it’s such a good example of things to think about and factor in when choosing whole home paint color scheme.
Whether building a new home or looking to create color continuity throughout an existing home, these tips and tricks can help you make easier decisions as you choose paint colors for your home. For this post, I am simply going to walk you through our whole process, from beginning to end, explaining how we started on the exterior colors first and then how we incorporated exterior undertones into the interior color selections. You’ll find my “Quick Tips” noted along the way.
Here is the final color palette that we ended up using throughout my client’s home.
For this recent project, my client was building a home on a beautiful heavily wooden lot with tall pine trees. The builder is Dream Homes and Drafting in Lufkin, Texas.
When I first looked at the home plans (before the house was built), we talked through the importance of choosing exterior colors that compliment the surroundings of their home, which in this case was trees and beautiful greenery. Something else we factored in was the style of the home and exterior textures/architectural elements.
Here is an exterior shot of their home today
As you can see above, the house has a lot of beautiful textures and architectural elements. The body of the home has shake shingles accented with stone plus there is also extensive wood trim and design work. In addition, the roof line and pitch is beautifully intricate with lots of angles. This exterior home design is absolutely beautiful but because of the different textures going on here, it was very important to nail the exterior color combinations to cohesively pull everything together.
I see houses like this all the time that have a lot of varying textures and architectural elements that have been painted 4-5 different shades of colors. People tend to think that they have to paint the body, fascias, trim, and windows all different colors/shades because it’s a textural/architectural change that must be defined. However, when there is a lot of change in texture/architectural elements, aesthetically, less is more.
Quick tip: The less changes in the exterior colors, the more the texture/architectural elements will stand out in a subtle or organic way.
So for this home, we stuck with two main paint colors and one safe mid-tone color for the areas that stain was used. You’ll also notice that the colors are almost equal in the amount used and also spread out and balanced on the exterior. One more thing…, if the house had been white, I would have suggested a dark stain to balance and contrast. However, the green is dark, so I suggested a lighter toned stain to contrast. The same theory applies to paint. If you’re painting your home a light color, accent with a darker color paint and vice versa.
Interior Main Areas
After the home was close to completion, I met with my client to go over all the colors on the walls and cabinetry for the interior.
Quick tip: You don’t necessarily have to consider the exterior colors as you choose interior colors but I do think at a minimum, the undertones on both the exterior and interior should be complementary. The only way to safely do that is to choose a similar undertone (not necessarily exact) or choose neutral undertones for your interior colors.
The kitchen in my client’s home is going to be the main gathering place in her home with a screen porch off one side of the kitchen and the pool/patio area accessed off the other side of the kitchen.
The client wanted a neutral light gray for the kitchen and it was important in this space to think about what shade of gray would work best in this space because of the abundance of natural light. It’s important to understand when choosing colors that when you have an abundance of natural light, whatever color you choose will go cool with a slight blue cast. The trick is to go warmer in your color choice to compensate for the color cooling.
We went with Sherwin Williams Repose Gray because Repose has just the right amount of warmth in the undertone to balance the gray from going to cool in this space with all the natural light.
Even with the lights turned on in the kitchen, you can see that the overhead light combined with all of the natural light, Repose has a slight blue cast but the warmth in the undertone is what is keeping it from being too cool or sterile of a gray.
For continuity, I like to encourage clients to stick with one white paint color for trim, cabinetry, etc. for the whole home, unless they’re painting something a non-white paint color. We went with Benjamin Moore Simply White because Simply White has a tad bit of warmth in the undertone and would look crisp throughout this home that has so much natural light. A brighter white would be too cool and bright in this space.
Quick tip: If you don’t have a lot of natural light in your home, a brighter neutral white on trim/cabinetry/doors like Benjamin Moore Decorator’s White can really help lighten the space for you. If you have a lot of natural light, choose a white with a slight hint of warmth like Benjamin Moore Simply White.
For the hood and the island, we choose Sherwin Williams Dorian Gray (hood) and Sherwin Williams Black Fox for the island. These two colors are on the same paint color strip as the wall color (Repose Gray). This is the safest way to choose accent colors because these colors are on the same colors strip have the same undertone.
Quick tip: Working off of one paint color strip in the kitchen is an easy trick for guaranteeing that colors will blend and compliment.
By the way, this is one of the best color strips (see below) out there because these colors have a near perfect balance of warm and cool undertones. (What is not showing is that SW Eider White is actually the lightest color on the strip)
In the master bedroom, my client wanted a serene lighter green/blue/gray color. Because the master has large windows that look out over the woods and pool, choosing a color that will beautifully complimented these elements is another tip for narrowing down color choices.
Quick tip: If you want to drawn your attention to the surroundings outside your windows, use a less pigmented and lighter color. Also, choose a color that will complement the outdoor surroundings (green undertone for trees, blue undertone for water, etc..)
We decided on Sherwin Williams Sea Salt diluted with white 25% to lighten up. This space has a lot of natural light and natural light will cool your colors, so you can see that Sea Salt here is leaning blue. But in the evenings with artificial light, it will lean more green.
Green/blue/gray colors are chameleon colors that need to be sampled first on the walls because as mentioned above, the light will dramatically impact the colors. I gave my client three beautiful color choices and we sampled them on the wall to see what they would do in her light.
- Sea Salt Sherwin Williams
- Pale Smoke Benjamin Moore
- Beach Glass Benjamin Moore
(FYI.. I used adhesive color samples from Samplize– you can also paint a large poster board)
As we narrowed down our color to Sea Salt, I encouraged my client to dilute Sea Salt with even more white to keep the space light and airy while still serene.
Quick tip: When choosing a shade of a color, consider the size of the room and the feel of the space. The lighter the color, the larger the space will look. Darker shades are great if you want a den-like feel or you have a larger space with a lot of natural light.
Sea Salt diluted 25% with white
We decided to do Sea Salt at full strength in the master bathroom. I recommended going full strength in the bathroom because there is not much natural light and using a higher pigmentation of the color would stand out more. Also, because they went neutral on their tile, the walls a color to stand out and evoke a spa-like feel.
I think that Sea Salt always looks the prettiest in spaces like this that has just a small amount of natural light. In the evening, Sea Salt will also look beautiful in artificial light.
Here’s a better shot of the color.
In the study, we settled on Benjamin Moore Beach Glass. While similar to Sea Salt, Beach Glass has more gray in the undertone. In natural light (without any overhead lights), Beach Glass looks like this.
However, with the lights on, Beach Glass looks like this:
Quick tip: Paint a sample of the color on a large poster board and tape to the wall and look at it in daylight and night. Some colors look beautiful during the day and awful in the evening under artificial light. Colors will go a lot warmer on the wall in the evening under artificial light.
It’s so important to test these chameleon colors on the wall to really get a feel for what they will do in your light. Also, test with lights out and on really make a significant different.
For one of the boy bedrooms, we settled on Benjamin Moore Pale Smoke, which is a beautiful blue/gray with an ever so slight hint of warmth.
Quick tip: For children’s spaces, a great place to start is by looking to bedding and rugs that will be used in the space. Also, do you want the room to feel light and airy, or do you want a bold fun statement. If you want to the wall in a child’s space to be bold/fun, choose mid-toned to darker color.
My client wanted to have a light and airy feel for this room.
For the other boy bedroom, we chose On The Rocks by Sherwin Williams, which is a warm gray.
Because this room had so much natural light with the large windows, I encouraged my client to choose a gray that had a lot of warmth because I knew it would go cool with all this natural light. As you can see below, On the Rocks looks like a really warm gray on the card but when you get it on a wall with a lot of natural light, you get a gray that has been cooled. If we had chosen a gray without any warmth, the gray would be too cold and sterile.
Quick tip: If you are choosing a color for a space with a lot of natural light, to keep the color from being to cool, compensate and and balance it by choosing a color that has a about two shades more warmth.
For the bathroom off of this bedroom, we settled on Hale Navy from Benjamin Moore (I didn’t get a picture).
We went with Hale Navy because the bathroom is small and we wanted a darker (den-like) feel.
Well, I see I have written a novel here! Hopefully by walking you through our thought process, you picked up some tips for choosing colors for your own home.
Thanks for stopping by today!